Film Noir is
the French term for “black film”. It was a film genre that emerged after the
World War II or during the Great Depression, so its period was in the early
1940s to the late 1950s. As the name itself implies, these kinds of films showed
primarily how the war affected the film industry. The color black represents
sadness, death, and crime, which were all manifested in the said genre.
German Expressionism,
a movement in Germany in 1910s to 1920s, was an obvious root of Film Noir. Patent contrasts between
black and white lighting, focus on crime, and a criminal protagonist were some
of its characteristics. It also depended heavily on the mise-en-scène.
“Shapes are distorted and exaggerated unrealistically for expressive purposes. Actors often wear heavy makeup and move in jerky or slow, sinuous patterns. Most important, all of the elements of the mise-en-scene interact graphically to create an overall composition. Characters do not simply exist within a setting but rather form visual elements that merge with the setting.” (Bordwell & Thompson, n.d., p. 448)
Since Film Noir used less light or dark
lighting similar to German Expressionism, the movement, therefore, was really
one of the roots of the genre. Shadows created by the lighting, on the other
hand, were also seen and evident in Film
Noir. This kind of lighting cost the studios less money, causing them to
produce more films in this genre.
The setting of the genre was often done in cities. This
was to emphasize the danger that the city offers, which complemented the whole film.
Moreover, the city was seen as a place of corruption, murder, and suspicion.
Actress Theda Bara, a femme fatale
in the film A Fool There Was
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Film Noir, which was inspired by German Expressionism,
lasted for several years only. However, the concluding film industry still
adopted the styles of the movement and the genre.
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